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Man Ray's Surrealist Minotaur Leads Sotheby's Photographs Auction

  • Auktion
    Man Ray's Surrealist Minotaur Leads Sotheby's Photographs Auction
    10.04.2018

Sotheby’s April Auction of PHOTOGRAPHS To Feature: Icons of Surrealism Including Man Ray’s ‘Minotaur’ ** Rare Photographically Illustrated Volumes Including William Henry Fox Talbot’s ‘The Pencil of Nature’ ** Exceptional Images from Robert Frank’s Iconic Photobook ‘The Americans’

NEW YORK, 23 March 2018 – Sotheby’s spring auction of Photographs on 10 April in New York comprises a wide selection of exceptional works tracing the beginnings of the medium to innovations of the present day.  Of special note are masterpieces of early photography by William Henry Fox Talbot, E. J. Bellocq, experimental 1920s and 1930s photographs by Man Ray, Stefan Themerson, Pierre Dubreuil, as well as important contemporary works by Brigid Berlin, David Wojnarowicz, Vito Acconci, Cindy Sherman, Sandy Skoglund, Katy Grannan, and Thomas Demand. More than 160 works with estimates ranging from $1,000 to $250,000 will be on view in our New York galleries beginning on 4 April.

SURREALISM AND EUROPEAN MODERNISM
During the 1920s and 1930s, Man Ray experimented with imagery in which the sitter’s gender is intentionally ambiguous and, in some cases, the human body is wholly transformed into a sexually-charged object. In his 1933 interpretation of the Minotaur (estimate $150/250,000), Man Ray goes well beyond classic mythology, fashioning the bull’s head out of the shadowy contours of a woman’s body; her breasts act as eyes, the concavity of her stomach as mouth, and her raised arms as horns. Now an icon of Surrealism, Minotaur has been included in nearly every major modern exhibition about Man Ray and illustrated in all significant monographs on the artist. Though highly reproduced, no other print of this image has been located.

Pierre Dubreuil was one of the most inventive photographers in the early decades of the 20th century.  A technical master of the medium and a brilliant aesthetic innovator, Dubreuil continually experimented with the full range of photographic processes available to him. In La Cloche à Fromage (estimate $30/50,000) Dubreuil's use of light creates a visual vibration, echoing the literal translation of the title (The Cheese Bell).

CLASSIC AMERICAN IMAGERY
The auction also features a dozen works from famed Swiss-American photographer Robert Frank, including  eight masterworks from his seminal photobook The Americans, such asNew Orleans (Trolley) (estimate $100/150,000), Hoboken (Parade, New Jersey) (estimate $80/120,000) and Jay N. Y. (Fourth Of July) (estimate $60/90,000).

AMERICAN MODERNISM
American Modernism is well represented throughout the sale, with rare photographs by both Edward and Brett Weston, and standout works by Ansel Adams, Harry Callahan and Minor White on offer.

At only 13 years old, Brett Weston had already started to absorb information on composition, while developing and printing for his father Edward.  While the repeated patterns and shapes found in natural subjects such as Untitled (Lily Leaf, Carmel) (estimate $30/50,000) held a special fascination for the young photographer,  Brett also turned his camera to man-made objects, capturing thoughtful abstractions and noteworthy tonal studies, as seen in Untitled (Truck Window, Deluxe U. S. Company, San Francisco) (estimate $12/18,000).

PHOTOGRAPHICALLY ILLUSTRATED VOLUMES
Comprised of 87 photographs, Mr. Clatterbuck (Maquette For A Photo Book On The Homesteads Resettlement Community At Flint Hill, Shenandoah Valley) is the result of a collaboration between artist Ben Shahn and Inslee A. Hopper, who were commissioned by the Treasury Department’s Section of Fine Arts under President Franklin D. Roosevelt to document the successful rehabilitation of the inhabitants of the Shenandoah Valley (estimate $25/35,000). The text by Hopper is a first-person narrative told from the point of view of the homesteaders, and the images are rare examples of Shahn photographs taken after the mid-1930s. No other prints, or similar book mock-ups with photographs by Shahn, are known.

Issued in 6 parts between 1844 and 1846 and comprised of 24 photographs, The Pencil Of Nature by William Henry Fox Talbot was the first photographically illustrated text to be commercially sold and the culmination of more than a decade of experimentation (right, estimate $150/250,000). This set of The Pencil of Nature comes originally from the collection of the photographer’s granddaughter. Only a handful of individual fascicles have appeared at auction since 1970.

In addition, the sale features a unique, handmade book of early photographs from Robert Frank’s time in Peru. Comprised of 39 photographs, Peru (estimate $100/150,000) reveals a documentarian’s expert timing, sensitivity, and a genuine fascination with the people encountered.  One of only two examples in existence, it belonged to Frank’s mentor, the art director Alexey Brodovitch and was later owned by another great American photographer, Joel Sternfeld.

RARITIES
Stefan Themerson is considered one of the most important 20th-century Eastern European Surrealist photographers and filmmakers. His entire artistic output was all but completely destroyed when the Nazis invaded Poland during World War II, thus the offering of  the artist’s photo collages comprised of film stills such as Enlarged Film Stills From Europa are extremely rare (estimate $20/30,000).






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  • 133 Man Ray Minotaur dated and numbered '36' in pencil and with the photographer's '31 bis, Rue Campagne Première' studio stamp (Manford M6) and posthumous copyright stamp (Manford M30) on the reverse, 1933 5 7/8  by 9 1/4  in. (14.9 by 23.5 cm.) Estimate $150/250,000
    133 Man Ray Minotaur dated and numbered '36' in pencil and with the photographer's '31 bis, Rue Campagne Première' studio stamp (Manford M6) and posthumous copyright stamp (Manford M30) on the reverse, 1933 5 7/8 by 9 1/4 in. (14.9 by 23.5 cm.) Estimate $150/250,000
    Sotheby’s Auktionshaus
  • ot 214 William Henry Fox Talbot 'The Pencil Of Nature London: Longman, Brown, Green, & Longmans, 1844-46), the complete set of six fascicles illustrated with 24 salt prints, 21 prints on mounts with hand-ruled borders, 20 numbered in an unidentified hand in pencil or ink on the mount, 3 loose; plate 1 a variant, circa 1846, and plate 2 a substitute. 4to, grey linen-backed boards, ink title on spine, inscribed 'Herbert Lambert from M. T. Talbot, August 1921' and 'N. D. Larkin. 1959.' in ink on th
    ot 214 William Henry Fox Talbot 'The Pencil Of Nature London: Longman, Brown, Green, & Longmans, 1844-46), the complete set of six fascicles illustrated with 24 salt prints, 21 prints on mounts with hand-ruled borders, 20 numbered in an unidentified hand in pencil or ink on the mount, 3 loose; plate 1 a variant, circa 1846, and plate 2 a substitute. 4to, grey linen-backed boards, ink title on spine, inscribed 'Herbert Lambert from M. T. Talbot, August 1921' and 'N. D. Larkin. 1959.' in ink on th
    Sotheby’s Auktionshaus
  • Lot 125 Robert Frank New Orleans (Trolley) signed in ink in the margin, framed, Bank of America Collection labels on the reverse, 1955, probably printed in the 1970s 9 3/4  by 15 in. (24.8 by 38.1 cm.) Estimate $100/150,000
    Lot 125 Robert Frank New Orleans (Trolley) signed in ink in the margin, framed, Bank of America Collection labels on the reverse, 1955, probably printed in the 1970s 9 3/4 by 15 in. (24.8 by 38.1 cm.) Estimate $100/150,000
    Sotheby’s Auktionshaus
  • Lot 132 E. J. Bellocq Storyville Prostitute, New Orleans framed, circa 1912, printed no later than 1949 8 by 5 in. (20.3 by 12.7 cm.) Estimate $50/70,000
    Lot 132 E. J. Bellocq Storyville Prostitute, New Orleans framed, circa 1912, printed no later than 1949 8 by 5 in. (20.3 by 12.7 cm.) Estimate $50/70,000
    Sotheby’s Auktionshaus
  • Lot 101 David Wojnarowicz 'Rimbaud In New York' (In Diner) signed, titled, dated, and editioned '1/3' in ink on the reverse, framed, Whitney Museum of American Art exhibition and P. P. O. W., Inc., labels on the reverse, 1978, printed in 1990, no. one in an unrealized edition of 3 7 1/8  by 9 1/2  in. (18.1 by 24.1 cm.) Estimate $12/18,000
    Lot 101 David Wojnarowicz 'Rimbaud In New York' (In Diner) signed, titled, dated, and editioned '1/3' in ink on the reverse, framed, Whitney Museum of American Art exhibition and P. P. O. W., Inc., labels on the reverse, 1978, printed in 1990, no. one in an unrealized edition of 3 7 1/8 by 9 1/2 in. (18.1 by 24.1 cm.) Estimate $12/18,000
    Sotheby’s Auktionshaus
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