• Menü
    Stay
Schnellsuche

New York

Master Drawings New York 2016

New York

NEW YORK Jan 13, 2016 – The Tenth Annual MASTER DRAWINGS NEW YORK week (www.masterdrawingsinnewyork.com) will take place January 23 through January 30 at 29 leading art galleries on the Upper East Side’s “Gold Coast’ in New York.

Timed to coincide with New York’s major January art-buying events, including the Old Master auctions and The Winter Antiques Show, over the past decade MASTER DRAWINGS NEW YORK has given top dealers from the US as well as the UK, France, Germany, Spain and Italy an opportunity to show their newest acquisitions to the largest assembly of drawings scholars and patrons to gather in New York each year.

Originally conceived as an annual walk-through, MASTER DRAWINGS NEW YORK has grown into a ‘must see’ event, receiving strong support as its range and influence has grown each year. Each exhibition is hosted by an expert specialist and many works on offer are newly discovered or have not been seen on the market in decades, if at all.
Critics applaud the fact that the most respected drawings dealers show important pencil, pen and ink and chalk, pastel and charcoal drawings, as well as oil on paper sketches and watercolours from the 16th through the 21st centuries.

New exhibitors in 2016 include Allan Stone Projects, a New York gallery founded in 1960 that has enjoyed sustained success mixing established artists with emerging and mid-career artists. Its exhibition is titled “Process and Presence: Mastery in Drawing” and includes figurative, landscape, still life and abstract works by prominent artists such as Arshile Gorky, Willem de Kooning, Wayne Thiebaud, Franz Kline, and Gaston Lachaise. All of the works on view are from the prodigious Allan Stone Collection. Stone (1932-2006), the New York dealer for Wayne Thiebaud for over forty years, was the leading authority on Abstract Expressionism and a passionate collector of Abstract Expressionist, Contemporary, tribal and folk art. Thiebaud’s Farm Pond (Study) c1967 has an extensive museum exhibition history and is being offered for the first time since it was acquired by the Allan Stone Gallery. Pierre Puvis de Chavannes Torse nu (Nude) from 1887 is another pastel on paper that relates closely the figures in the artist’s 1891 mural, l’Ėté (Cleveland Museum of Art). De Chavannes’s style defies easy categorization as it borrows from Neoclassical, French Realism, and Pointillist techniques.

The 130-year old Kraushaar Galleries, a highly recognized fine art source for important American art of the first half of the 20th century, as well as selected contemporary works, will be a new exhibitor at MASTER DRAWINGS week this year. Katherine Degn says Kraushaar will be featuring works by Marsden Hartley as well as Dorothy Dehner, among several important American artists. Kraushaar Galleries has a long history of exhibiting works on paper. Early shows included prints by European artists, which then expanded to include drawings and watercolors by Seurat, Picasso, Manet and Redon, among others. By the second decade of the 20th century the gallery was becoming increasingly American with watercolor and drawing exhibitions by the contemporaries Maurice Prendergast, John Sloan, William Glackens, Gifford Beal Charles Demuth, William and Marguerite Zorach and Guy Pène du Bois. Its commitment to works on paper continues with recent shows by younger artists such as Catherine Drabkin and Lee Walton while continuing its commitment to historical material. Other recent exhibitions include The Creative Process, 1930 – 1950; and Figuratively Considered – Works on Paper by Selected Artists Who Participated in the 1913 “International Exhibition of Modern Art.”

Degn says, “Dorothy Dehner drawings from the later 1940s and early 1950s are a rarely seen. They explore the personal and experimental yet vital and bold nature of her early years as an artist. Dehner’s visual vocabulary has diverse influences ranging from her experience as a serious dancer to the freedom and personal autonomy of the emerging abstract movement. This was further reinforced by her exposure to the European avant-garde during a 1925 trip to Paris, her study with Jan Matulka, and her friendship with John Graham. These sources combined to produce works that fuse aspects of cubism, surrealist abstraction and gestural elements. This drawing, made during the last years of her marriage to David Smith, documents both the love and the marital struggles in symbolic and at times surreal iconography.”






  • 23.01.2016 - 30.01.2016
    Messe »
    Master Drawings New York »

    2016 MASTER DRAWINGS NEW YORK
    Open to the public Saturday, January 23 – Saturday January 30 2016
    January 23(Saturday) Open weekend: 11 am to 6pm
    January 24(Sunday) Open weekend: 2-6pm.
    January 25(Monday) Open 11am-6pm
    January 26(Tuesday) Open 11am-6pm
    January 27(Wednesday) Open 11am-6pm
    January 28 (Thursday) Open 11am-6pm
    January 29(Friday) Open 11am-6pm
    January 30(Saturday) Finish of Master Drawings New York at 6pm.

    c/o Susan Bishopric
    THE BISHOPRIC AGENCY
    185 East 85th Street #9M
    New York N.Y. 10028 U.S.A. Tel: + 1 212.289.2227

     



Neue Kunst Messen
DesignFest by COUCH
Eigene Sondereditionen designen und individuelle...
ART MIAMI CELEBRATES 30T​ H​
(MIAMI, FL – September 10, 2019) – ​Art Miami​ (​...
Artefiera 2020
Bologna, 7 November 2019 – Arte Fiera will take place...
Meistgelesen in Messen
39. ART&ANTIQUE Residenz
Während sich Richard Strauss’ hübsche Gräfin Arabella...
92. KUNST & ANTIQUITÄTEN
65 Aussteller sind auf der 92. Kunst & Antiquitäten...
Art Basel Miami Beach 2019
Art Basel announces gallery lineup for its 18th edition in...
  • W & K – Wienerroihter & Kohlbacher, Ernst Ludwig Kirchner (1880–1938) Stretching Nude c.1913-14 Watercolour over drawing in pencil on vellum Signed by Erna Kirchner (lower right): E L Kirchner 58,9 x 45,9 cm Provenance: Collection Ernesto Blum, Caracas
    W & K – Wienerroihter & Kohlbacher, Ernst Ludwig Kirchner (1880–1938) Stretching Nude c.1913-14 Watercolour over drawing in pencil on vellum Signed by Erna Kirchner (lower right): E L Kirchner 58,9 x 45,9 cm Provenance: Collection Ernesto Blum, Caracas
    Master Drawings New York
  • Martyn Gregory, Derwent Lees, NEAC (1885-1931), The coast at Cavtat, Yugoslavia watercolour over traces of pencil?, 10 ¾ x 15 ¼ in (27.8 x 38.3 cm)?, signed?
    Martyn Gregory, Derwent Lees, NEAC (1885-1931), The coast at Cavtat, Yugoslavia watercolour over traces of pencil?, 10 ¾ x 15 ¼ in (27.8 x 38.3 cm)?, signed?
    Master Drawings New York
  • Mary-Anne Martin Fine Art, José Clemente Orozco (1883-1949 ) Five Heads (Beggars) Gouache on wove paper c. 1940 Signed lower left J.C. Orozco 11 3-8 x 16 in
    Mary-Anne Martin Fine Art, José Clemente Orozco (1883-1949 ) Five Heads (Beggars) Gouache on wove paper c. 1940 Signed lower left J.C. Orozco 11 3-8 x 16 in
    Master Drawings New York
  • Laura Pecheur, Louis Legrand ( 1863 – 1951 ) Elegant with a fan Pastel on paper Monogrammed Paris 1900 25.1 x 19.4 in ( 640 x 490 mm )
    Laura Pecheur, Louis Legrand ( 1863 – 1951 ) Elegant with a fan Pastel on paper Monogrammed Paris 1900 25.1 x 19.4 in ( 640 x 490 mm )
    Master Drawings New York
  • Van Doren Waxter, Richard Diebenkorn Untitled c. 1952 Gouache and graphite on paper 11 x 8 1/2 inches (27.9 x 21.6 cm) CR no. 1148 © The Richard Diebenkorn Foundation
    Van Doren Waxter, Richard Diebenkorn Untitled c. 1952 Gouache and graphite on paper 11 x 8 1/2 inches (27.9 x 21.6 cm) CR no. 1148 © The Richard Diebenkorn Foundation
    Master Drawings New York
  • Guy Peppiatt Fine Art Ltd, Paul Sandby, R.A. (1730-1809) The Eagle Tower, Caernarvon Castle, North Wales pen and grey ink and watercolour over pencil on laid paper 36.3 by 51.6 cm., 14 1/2 by 20 1/2 inches Provenance: With Walker Galleries, London, by 1955; By descent from 1955 until 2015 Exhibited: Possibly London, Royal Academy, 1775, no. 275
    Guy Peppiatt Fine Art Ltd, Paul Sandby, R.A. (1730-1809) The Eagle Tower, Caernarvon Castle, North Wales pen and grey ink and watercolour over pencil on laid paper 36.3 by 51.6 cm., 14 1/2 by 20 1/2 inches Provenance: With Walker Galleries, London, by 1955; By descent from 1955 until 2015 Exhibited: Possibly London, Royal Academy, 1775, no. 275
    Master Drawings New York
  • Marianne Elrick-Manley Fine Art, Joaquín Torres-García (1874-1949) Modelo en el taller (Model in the studio) charcoal on paper, ca. 1898 23 5/8 x 16 1/8 in. (600 x 410 mm) Signed on the left corner
    Marianne Elrick-Manley Fine Art, Joaquín Torres-García (1874-1949) Modelo en el taller (Model in the studio) charcoal on paper, ca. 1898 23 5/8 x 16 1/8 in. (600 x 410 mm) Signed on the left corner
    Master Drawings New York
Bilderaktuell von den Messen
beginn 3 wochen
beginn 2 wochen
beginn 1 woche
Künstler