Galleries with strong artistic pairings will include Galerie Micky Schubert, showing sculptures by Benedicte Gyldenstierne Sehested (b. 1977) and paintings by Mark van Yetter (b. 1978); Silvia Cintra + Box 4, with psychologically laden textile pieces by Cinthia Marcelle (b. 1974) and Laercio Redondo (b. 1967); Maisterravalbuena, with Maria Loboda (b. 1979) and Cristián Silva (b. 1969); mother’s tankstation, with Nina Canell (b. 1979) and Sebastian Lloyd Rees (b. 1986); and Revolver Galería, where José Carlos Martinat (b. 1974) and Andrea Galvani (b. 1973) both explore the distance between the real and the virtual through glass. Lawrence Abu Hamdan (b. 1985) and Oscar Muñoz (b. 1951) both investigate the use of language in spy systems at mor charpentier, while artists Aleksandra Domanović (b. 1981) and Oliver Laric (b. 1981) will consider methods of production and reproduction at Tanya Leighton. Freedman Fitzpatrick will explore shared tendencies across three generations of German artists: Amelie von Wulffen (b.1966), Lucie Stahl (b. 1977) and Mathis Altmann (b. 1987). Never-before-seen paintings by the enigmatic Vern Blosum (b. unknown), will question the conceptual production of authorship at Essex Street, along with new sculptures by Chadwick Rantanen (b. 1981). David Castillo Gallery will present works by Sanford Biggers (b. 1970) and Xaviera Simmons (b. 1974) that enunciate personal integrities within the context of larger cultural, historical, art historical and narrative constructs. Galeria Leme features a presentation of Vivian Caccuri (b. 1986) and Jaime Lauriano (b. 1985) exploring dynamics between Brazil and the African continent, centered around the Malê Revolt, an 1835 insurgency of enslaved African Muslims in Brazil. At Travesía Cuatro, both Sara Ramo (b. 1975) and Mateo López (b. 1978) will explore the language of objects, while at Instituto de visión, Marlon de Azambuja (b. 1978), Alberto Baraya (b. 1968) and Sebastián Fierro (b. 1988)

will challenge representations of Latin America as an exotic stereotype. For the full gallery list, please visit artbasel.com/miami-beach/nova.

In addition to showing premier artworks across five gallery sectors, many exhibitors will present works in Art Basel's project-based sectors: Kabinett, Public and Film, currently being selected. Over the coming months, further details about these special sectors as well as about the Conversations and Salon program of panels and talks will be released.

The Miami Beach Convention Center, Art Basel’s home since the Miami Beach edition launched in 2001, is currently undergoing renovation, to be completed in 2018. Carefully planned by city officials around the Art Basel shows, the construction will result in improved exhibition halls and state of the art facilities for exhibitors and visitors. During the renovation, Art Basel will continue to take place throughout the same four exhibition halls as in past years. For more information on the project, please visit mbccfuture.com.

Art Basel has always had a close relationship with regional arts organizations. As such, South Florida’s leading museums time their strongest exhibitions of the year to coincide with Art Basel. In December, the Pérez Art Museum Miami (PAMM) will present ‘Julio Le Parc: Form into Action’, an exploration of kinetic work by one of the leading Argentinian artist; ‘Susan Hiller: Lost and Found’, an immersive video installation; ‘Sarah Oppenheimer: S-281913’, a series of architectural interventions; a solo show of paintings by David Reed; and work by Ulla von Brandenberg in the museum’s project gallery. The Institute of Contemporary Art, Miami (ICA Miami) will present ‘Thomas Bayrle', while NSU Art Museum Fort Lauderdale will show ‘Belief + Doubt: Selections from the Francie Bishop Good and David Horvitz Collection’, ‘Francesco Clemente: Dormiveglia’, ‘Regeneration Series: Anselm Kiefer from the Hall Collection’ and ‘Samson Kambalu: Nyau Cinema’. Other highlights include ‘Modern Dutch Design’, ‘The Pursuit of Abstraction’, The Politics of -Isms’ and ‘Visionary Metropolis: Tony Garnier’s Une Cité Industrielle’ at the Wolfsonian- FIU; a project by Mark Dion at the Kampong National Tropical Botanical Garden in partnership with Florida International University; ‘Question Bridge: Black Males’ and ‘Rudin Prize for Emerging Photographers’ at the Norton Museum of Art; ‘When We Were Young’ and ‘José Parlá: Roots' at YoungArts; and 'The Other Dimension: Contemporary art practice as the existence of higher dimensions' by Antuan Rodriguez at the Museum of Contemporary Art (MOCA). Recently rebranded as The Bass, Miami Beach’s contemporary art museum will present off-site activations throughout the week as the museum looks ahead to its re-opening in Spring 2017.

Visitors from across the world will also have the opportunity to view the city’s internationally renowned private collections. This includes ‘Toda Percepción es una Interpretación: You are Part of It' with works from Ella Fontanals-Cisneros and CIFO Collection at the Cisneros Fontanals Art Foundation (CIFO), ‘Progressive Praxis’ at the de la Cruz Collection Contemporary Art Space, ‘Jannis Kounellis: Paintings; Anselm Kiefer: Installations; Featuring: Radcliffe Bailey, Florian Baudrexel, Mark di Suvero, Mark Dion, David Ellis, Mark Manders, Olaf Metzel, Meuser, Will Ryman and Jason Schmidt' at the Margulies Collection at the Warehouse and ‘High Anxiety: New Acquisitions' at the Rubell Family Collection.