Begin by picturing a world of abundance. It would likely be lush, rich, and ancestral. A topology of connections, webs, and links, a system of relations. Abundance roots our being in the world in fullness, productivity, and plurality, not only for humans but for other life-forms and life-generating entities as well. We recognize how human life is intrinsically enmeshed with that of nonhumans, how our ability to form communities depends on all those who participate in our becoming. The sensibility that emerges from abundance desires all forms of enchantment and cultivates an ethic of joy committed to the art of living together, a ground for making things anew, a space where difference and inventiveness propel new beings and things into the world.

Abundant Futures is an essay exhibition that presents and formulates a daring attempt to imagine worldmaking and ecological futures from the condition of abundance and fullness. It places a wealth of artistic visions and propositions from TBA21 Thyssen-Bornemisza Art Contemporary’s collection into conversation, gesturing at the multiplicity of worlds humans and nonhumans cohabit, a world of many worlds. The vast selection of works from TBA21’s collection represents different generations of artists across multiple geographies. It charts unexplored trajectories and maps out new paths for conceiving regenerative life-relations toward abundant ways of living together. Over the course of the exhibition’s long trajectory, new works will be added to it, replacing others or enriching the initial constellations.

Focusing on abundance is a matter of ontology, ethics, and ecological thought. Art, culture, and education join together to advance and reformulate ecological and visionary practices, which shape our experiences of the world. They occupy spaces for the rehearsal of social, ecological, and artistic/poetic scenarios that can alter human interaction with the planet and allow new forms of conviviality to emerge. Rehabilitating the abundance of possibilities after an age of austerity will have to be cultivated and socially enacted.

If we want to imagine and organize the world differently, we will have to envision new horizons for our politics and relations to each other. Shaping abundant futures means supporting already existing worlding practices and learning from them. It means reorganizing work fairly, redistributing what is available across vast differences, giving up what is possible to promote more life, and decreasing our productivity and wastefulness for the benefit of the commons.

The selection of works from the TBA21 Thyssen-Bornemisza Art Contemporary Collection expresses the spirit of the foundation: the artistic, ecological, and ethical motivations behind two decades of investigation, collaboration, and experimentation nurtured by the practice of commissioning. With Abundant Futures TBA21 inaugurates its three-year presence in Córdoba while celebrating the foundation’s twentieth anniversary. Centering around the thought-provoking narratives encapsulated in the collection, the overall program is complemented by lectures, performances, installations, and public interventions by artists, practitioners, thinkers, and audiences from around the world, creating a new powerful nexus of debate and thinking.

ARTISTS:
Ai Weiwei, Allora & Calzadilla, Dana Awartani, Claudia Comte, Abraham Cruzvillegas, Elena Damiani, Olafur Eliasson, Haris Epaminonda, Mario García Torres, Isa Genzken, Helen Mayer Harrison & Newton Harrison, Mathilde ter Heijne, Camille Henrot, Ann Veronica Janssens, Miler Lagos, Sarah Lucas, Matthew Lutz-Kinoy, Ana Mendieta, Regina de Miguel, Beatriz Milhazes, Asunción Molinos Gordo, Paulo Nazareth, Ernesto Neto, Rivane Neuenschwander, Olaf Nicolai, Plata con Semillas Silvestres I Belén Rodríguez I Víctor Barrios, Diana Policarpo, Naufus Ramírez-Figueroa, Matthew Ritchie, Thomas Ruff, Bernardo Salcedo, Tomás Saraceno, Teresa Solar, Simon Starling, Daniel Steegmann Mangrané, Thomas Struth, Rirkrit Tiravanija, Janaina Tschäpe, Susanne M. Winterling, Cerith Wyn Evans, Xie Lei, Yeo Siew Hua, Heimo Zobernig.

ACKNOWLEDGMENTS
We wish to thank: Alcázar de los Reyes Cristianos; Casa Árabe; Centro de Recepción de Visitantes - Turismo de Córdoba (IMTUR); Cervezas Alhambra; Córdoba, Ciudad de las Ideas; D.O. Montilla Moriles; IMGEMA - Real Jardín Botánico de Córdoba; Museo Arqueológico de Córdoba; Universidad de Córdoba;