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Frieze Master 2018

  • Messe
    04.10.2018 - 07.10.2018
    Frieze »

Frieze London 2018: Announcing Highlights including Talks, Projects, Solo and Themed Gallery Presentations, New Curators and Museum Collaborations

The 16th edition of Frieze London takes place from 5–7 October, with two Preview Days on Wednesday 3 October and Thursday 4 October Announcing eight pioneering artists featuring in new Social Work section; nine interactive and performance-based works for Live; and a new Emerging Artist Prize in collaboration with Camden Arts Centre Frieze London 2018 will showcase the best of international contemporary art, with a discerning selection of around 160 galleries presenting their most forward-thinking artists and imaginative presentations. Opening for the first time with a two-day Preview, Frieze London coincides with Frieze Sculpture and Frieze Masters in The Regent’s Park, together forming the most significant week in London’s cultural calendar. Global lead partner Deutsche Bank supports Frieze London for the 15th consecutive year, continuing a shared commitment to discovery and artistic excellence.

New collaborations with international curators, institutions and galleries will respond to contemporary issues – from the lack of visibility of women in the marketplace to hidden systems of communication and control – and create an exceptional environment for creativity and discovery.

This year’s themed gallery section, Social Work will feature women artists who challenged the status quo and explored the possibilities of political activism in their art making during the 1980s and ‘90s, from Nancy Spero in the US to Berni Searle in South Africa to Ipek Duben in Turkey and Helen Chadwick in the UK. Solo, group and curated presentations across the fair’s sections will feature John Baldessari, Michaël Borremans, Zadie Xa, Lubaina Himid, Mary Kelly, Moshekwa Langa, Calvin Marcus, Jim Shaw, David Shrigley, Josh Sperling, Tatiana Trouvé, Hardeep Pandhal, Athena Papadopoulos, Faith Ringgold, Wong Ping and Cathy Wilkes, among many others.

Part of Frieze Projects, the Live platform will stage performances and interactive installations throughout the fair, exploring hidden formulas which impact wider social, political, and economic realities, such as Liz Glynn’s interactive dance performance, responding to live data at the fair; Julia Scher’s roaming security guards and surveillance installation; and Pratchaya Phinthong’s exchange of counterfeit currency, revealing the value that politics places on people. In an enclosed space within the fair, Frieze Artist Award winner, Alex Baczynski-Jenkins will continue his choreographic practice engaging with queer relationality and the politics of desire, intimacy and friendship.

Frieze Talks will explore the role of autobiography in art with international participants including Laurie Anderson, Nan Goldin, Kemang Wa Lehulere and Olivia Laing.

New Curators
Diana Campbell Betancourt joins the fair to curate Frieze Projects, spanning artworks beyond the booths including Live, Film and the Frieze Artist Award. In addition, Andrew Bonacina (Chief Curator, The Hepworth Wakefield) and Laura McLean-Ferris (Curator, Swiss Institute, New York) will advise ambitious shows by emerging galleries from across the world in Focus. And Matthew McLean (Senior Editor, Frieze Studios) and Lydia Yee (Chief Curator, Whitechapel Gallery, London) will co-programme Frieze Talks.

The Camden Arts Centre Emerging Artist Prize at Frieze
Launching at Frieze London 2018, the Camden Arts Centre Emerging Artist Prize at Frieze will offer an emerging artist participating in the fair’s Focus section, the opportunity to deliver an exhibition at Camden Arts Centre (London) and achieve the critical milestone of a major show at a London institution.

This major new prize will be selected by a panel including Martin Clark, (Director, Camden Arts Centre), Gina Buenfeld, Sophie Williamson (both Programme Curator, Exhibitions, Camden Arts Centre) and Joe Hill (Director, Towner Art Gallery, Eastbourne). A group of UK and international patrons will support the prize, including Lead Supporters Alexandra Economou, Noach Vander Beken and Georgina Townsley. The winner of the inaugural Camden Arts Centre Emerging Artist Prize at Frieze will be announced on Wednesday 3 October.

Supporting UK Institutions
Continuing Frieze’s enduring relationship with collecting institutions across the UK, Frieze London again partners with two acquisition funds for national and regional public collections. The Frieze Tate Fund, supported by Endeavor, returns for its 16th year; alongside the third edition of the Contemporary Art Society’s Collections Fund at Frieze, this year benefiting The Box (Plymouth). Allied Editions also returns to the fair, launching exclusive artist editions at the fair to raise funds for non-profit galleries across London and guest regional partner, The Hepworth Wakefield.

The World’s Most Significant Galleries
Frieze London welcomes the return of world-class galleries including international galleries who have partipated since the fair’s inception, such as Galerie Gisela Capitain, Gagosian, Greene Naftali, Hauser & Wirth, Lisson Gallery, Galerie Thaddaeus Ropac, Salon 94, Sprüth Magers, White Cube and David Zwirner, among others; alongside also returning Gavin Brown’s enterprise, Marian Goodman Gallery, kurimanzutto, Matthew Marks Gallery, kamel mennour, Pace Gallery, Esther Schipper, Galeria Luisa Strina and The Box; and major newcomers including Xavier Hufkens, Galerie Lelong & Co. and Galleri Nicolai Wallner.






  • Frieze
  • 04.10.2018 - 07.10.2018
    Messe »
    Frieze »

    2018 Opening Days & Hours
    Wednesday Preview 3 October (Invitation only)
    Thursday Preview 4 October: 12pm-8pm
    Thursday Private View 4 October: 5pm-8pm
    Friday 5 - Saturday 6 October: 12pm-7pm
    Sunday 7 October: 12pm-6pm



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    Frieze
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    Galerie Chenel Honorary base dedicated to Aurelia Eirene Roman, Antonine period, 96-192 AD Marble H.: 123 cm - D.: 50 cm.
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  • Les Enluminures Noted Missal (the “Soissons Missal”)  In Latin, illuminated manuscript on parchment Northeastern France (Diocese of Soissons), c. 1250-75 With 1 full-page miniature and 22 large historiated initials by the Vincent Master (active Northeast France, c. 1260-90)
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  • Axel Vervoordt Gallery Günther Uecker (b. 1930) Diagonale/Vertikale Struktur (Diagonal/Vertical Structure), 1965  Nails, acrylic, and sand on canvas laid down on wood 82.1 x 82 x 7 cm Courtesy of the artist and Axel Vervoordt Gallery.Axel Vervoordt Gallery Günther Uecker (b. 1930) Diagonale/Vertikale Struktur (Diagonal/Vertical Structure), 1965
    Axel Vervoordt Gallery Günther Uecker (b. 1930) Diagonale/Vertikale Struktur (Diagonal/Vertical Structure), 1965 Nails, acrylic, and sand on canvas laid down on wood 82.1 x 82 x 7 cm Courtesy of the artist and Axel Vervoordt Gallery.Axel Vervoordt Gallery Günther Uecker (b. 1930) Diagonale/Vertikale Struktur (Diagonal/Vertical Structure), 1965
    Frieze
  • David Ghezelbash Archéologie Relief portrait depicting a young official, from the Mathias Komor collection  Egypt, Old-Kingdom, from Sakhara, Late 5th - Early 6th dynasty, ca. 2500-2400 B.C. Limestone with red and blue pigments
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    Frieze
  • David Koetser Gallery Hendrick Avercamp (1585-1663) workshop Figures skating on a frozen lake.  Oil on Panel, 21.3 x 30.3 cm. Signed with Monogram: 'HA' (lower center, on the wood) Panel ready for use by 1603.
    David Koetser Gallery Hendrick Avercamp (1585-1663) workshop Figures skating on a frozen lake. Oil on Panel, 21.3 x 30.3 cm. Signed with Monogram: 'HA' (lower center, on the wood) Panel ready for use by 1603.
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  • Galerie Meyer-Oceanic Art A superb and exceedingly rare tinder, or snuff, container  Eskimo, Thulé Period, probably Point Hope area Northern Alaska. 18th/19th century for the container body and Punuk culture for the cap (600-900 AD). Walrus tusk (Odobenus rosmarus divergens). 11 x 5,5 x 3,7 cm with cap
    Galerie Meyer-Oceanic Art A superb and exceedingly rare tinder, or snuff, container Eskimo, Thulé Period, probably Point Hope area Northern Alaska. 18th/19th century for the container body and Punuk culture for the cap (600-900 AD). Walrus tusk (Odobenus rosmarus divergens). 11 x 5,5 x 3,7 cm with cap
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