• Menü
    Stay
Schnellsuche

Florida

ArtPalmBeach Celebrates 15th Anniversary January 2012

Florida

Palm Beach, FL - October 7, 2011- ArtPalmBeach celebrates its 15th Anniversary at the Palm Beach County Convention Center from January 20th-23rd, 2012 with a Preview evening January 19th. ArtPalmBeach is considered one of the most influential contemporary art fairs on Florida's Gold Coast by both critics and art enthusiasts since its opening in 1997. In honor of the Anniversary celebration, the fair will debut the most extensive program in its history by encompassing premiere events, special exhibitions, topical lectures, special museum tours, site specific art installations, art performances and exclusive VIP programs.

ArtPalmBeach 2012 welcomes back many returning exhibitors as well as introducing newcomers to the Palm Beach art scene. The fair is comprised of over seventy international galleries presenting works of all forms of contemporary art including painting, sculpture, photography, design, fine art glass, video and installations from modern art to new cutting-edge artists.

The fair will honor the lifetime accomplishments of Japanese sculptor Jun Kaneko and will feature a one-man exhibition of major works sponsored by Elaine Baker Gallery (Palm Beach, FL).

Originally a painting student, Kaneko discovered a passion for sculpture upon his arrival to California in the early 1960's, a time now defined as the Contemporary Ceramics Movement in America. Kaneko has taught at the nation's leading art schools including Scripps College and the Rhode Island School of Design. Kaneko's bronze and glass sculpture and two-dimensional works appear in numerous international exhibitions and as well as over 50 museum collections around the world. He has been honored with national, state and organization fellowships and an honorary doctorate from the Royal College of Art in London. He has realized almost 30 public art commissions and recently designed the set and costumes for a new production of Puccini's Madame Butterfly.

Additional 2012 fair highlights:

* Beth Lipman Installation, presented by Heller Gallery (New York, NY) coinciding with her exhibition opening on January 18th at the Norton

* Exhibition and 35' Installation and Light Performance by Stephen Knapp presented by Elaine Baker Gallery * Nathalia Edenmont, one woman exhibition of photography exhibited by Wetterling Gallery (Stockholm) coinciding with her exhibition at Whitespace

* Lluis Barba one man photography exhibition featuring new monumental works and personal appearance, sponsored by Besharat Gallery(Atlanta,GA)

* Michael Taylor, Pioneer in the American Studio Glass Art Movement, presents "A Geometry of Meaning" exhibition and personal appearance, sponsored by Ruth Lawrence Gallery (Rochester, NY)

* Tribute to the "50th Anniversary of the American Glass Art Movement, 1962-2012", group exhibition & book launch for Harvey K. Littleton: A Life in Glass by Joan Falconer Byrd, sponsored by Maurine Littleton Gallery, (Washington DC)

* Hans Kotter, "Altered Vision", light sculpture installation, sponsored by De Buck Gallery(New York, NY)

* George Wardlaw, installation works entitled "American Master, Passages into Abstraction, 1958-1978," book launch and exhibition sponsored by Courthouse Gallery (Ellsworth, ME)

The lecture and panel discussion series will include a full program of daily presentations; Michael Kimmelman, Chief Architecture Critic and Former Chief Art Critic for the New York Times,"The View from Over There, Over Here"; Jun Kaneko, "In Between"; William Warmus, Former Curator of Modern Glass at Corning Museum of Glass will moderate a roundtable discussion, "The Studio Glass Experiment – The First 50 Years 1962-2012"; a thought provoking panel moderated by Bruce Helander, Editor-in-Chief of The Art Economist; Willis "Buzz" Hartshorn of International Center of Photography, "The ICP Legacy and New Directions in Photography"; Ullysees Dietz, Curator of Decorative Arts at the Newark Museum, "Ceramics as Art, Not a New Idea"; and Mark Leach, Executive Director of the SECCA, Southeastern Center of Contemporary Art will present "The New SECCA and its New Directions in Contemporary Art".

In 2011, ArtPalmBeach was marked with outstanding attendance and strong sales. The fair welcomed a record 28,000 attendees during the five-day run. Dealers reported positive sales and strong interest from known collectors within the industry, reconfirming ArtPalmBeach's establishment as a fixture of South Florida's contemporary art scene.

For more information on ArtPalmBeach 2012 hours, exhibitors and programming, please visit the website at...


Art, Florida, Messe






Neue Kunst Messen
Design Miami 2024
Design Miami announces global rebrand and shares preview...
ARTe Kunstmesse Konstanz 2024
Die vierte Ausgabe der ARTe Kunstmesse Konstanz –...
BLICKFANG Hamburg 2024
Echtes Design, echte Erlebnisse: Die BLICKFANG Hamburg ist...
Meistgelesen in Messen
Affordable Art Fair Milano 2014
Why is the Affordable Art Fair an excellent place to exhibit?...
paper positions berlin 2024
60 Galerien aus 11 Ländern werden vom 25. – 28. April...
Salon du livre de Lourmarin
Welcome to Lourmarin for the 9th edition of the Antiquarian...
  • Lipman, CANDLESTICKS, BOOKS, FLOWERS AND FRUIT, 2010 glass/mixed media 56 x 59 x 40 inches Photo: Robb Quinn
    Lipman, CANDLESTICKS, BOOKS, FLOWERS AND FRUIT, 2010 glass/mixed media 56 x 59 x 40 inches Photo: Robb Quinn
    International Fine Art Expositions (IFAE)
  • Sabine Hertig 1982 Untitled 2011 Oil, acrylic and collage on pavatex 40cm x 30cm Switzerland Geboren 1982 in Basel 2008–10 Master of Arts FHNW. Hochschule für Gestaltung und Kunst Basel 2007 Zugesprochenes Künstleratelier der Gemeinde Riehen 2007 Diplomabschluss 2005 Bild-Musik-Projekt mit dem Philharmonischen Orchester Riehen Unterstützt durch die Gemeinde Riehen 2003–07 Hochschule für Gestaltung und Kunst Basel 2002 Matura Gruppenausstellungen 2011 Coming up: Jungkunst Winterthur (Oktober) 2011 LICHT FELD 11 www.lichtfeld.ch, Basel 2010 Accélérateur de Particules, Strasbourg Regionale 10 2010 Fabrik Culture Hégenheim, Regionale 10 2009 Kunst Raum Riehen, Regionale 9 2008 Kunsthalle Mulhouse, la Fonderie, Regionale 8 2004 Ausstellungsraum Klingental, Basel Regionale 5
    Sabine Hertig 1982 Untitled 2011 Oil, acrylic and collage on pavatex 40cm x 30cm Switzerland Geboren 1982 in Basel 2008–10 Master of Arts FHNW. Hochschule für Gestaltung und Kunst Basel 2007 Zugesprochenes Künstleratelier der Gemeinde Riehen 2007 Diplomabschluss 2005 Bild-Musik-Projekt mit dem Philharmonischen Orchester Riehen Unterstützt durch die Gemeinde Riehen 2003–07 Hochschule für Gestaltung und Kunst Basel 2002 Matura Gruppenausstellungen 2011 Coming up: Jungkunst Winterthur (Oktober) 2011 LICHT FELD 11 www.lichtfeld.ch, Basel 2010 Accélérateur de Particules, Strasbourg Regionale 10 2010 Fabrik Culture Hégenheim, Regionale 10 2009 Kunst Raum Riehen, Regionale 9 2008 Kunsthalle Mulhouse, la Fonderie, Regionale 8 2004 Ausstellungsraum Klingental, Basel Regionale 5
    International Fine Art Expositions (IFAE)
  • Ernest Trova 1927-2009 Reverse Flowerman 1972 Stainless Steel 83 x 17 x 30 in. Ed. of 6   Renowned sculptor Ernest Trova began his artistic career as many others of his time did, first with cubist painting, then collage, finally graduating to sculpture. Unlike those of his generation however, Trova’s career began in St Louis, outside of the rapidly growing New York City art world. In St Louis, Trova first embarked on the Falling Man series, which was to become the major theme of his work. This series juxtaposing man’s iconic perfection and imperfection, creates a contrasting dialogue between Trova’s vulnerable human forms, and the durable materials of which they are made. These forms discuss man’s literal vs. figurative success and failure, while commenting on his development in the technological age.
    Ernest Trova 1927-2009 Reverse Flowerman 1972 Stainless Steel 83 x 17 x 30 in. Ed. of 6   Renowned sculptor Ernest Trova began his artistic career as many others of his time did, first with cubist painting, then collage, finally graduating to sculpture. Unlike those of his generation however, Trova’s career began in St Louis, outside of the rapidly growing New York City art world. In St Louis, Trova first embarked on the Falling Man series, which was to become the major theme of his work. This series juxtaposing man’s iconic perfection and imperfection, creates a contrasting dialogue between Trova’s vulnerable human forms, and the durable materials of which they are made. These forms discuss man’s literal vs. figurative success and failure, while commenting on his development in the technological age.
    International Fine Art Expositions (IFAE)
  • Boaz Vaadia B. 1951 The Family 2008 Bronze, blusestone and boulder 74 x 115 x 115 in. Ed. of 5   Israel-born artist Boaz Vaadia has enjoyed much acclaim since the 1980’s. His style has fully evolved into the recognizable forms of figurative sculpture created from layers of chiseled stone. His work reflects the eternal relationship between man and nature and encompasses a universal appeal. Vaadia’s stone, chiseled and stacked, arrowhead-like figures have a natural and mysterious quality of prehistoric artworks. This new body of work focuses on bust-style-portraiture using the same stylistic principles, processes and materials as his previous work. Vaadia’s sculptures are included in permanent collections of museums around the world including the Metropolitan Museum of Art, the Jewish Museum in New York, San Francisco Museum of Modern Art and the Tel-Aviv Museum.
    Boaz Vaadia B. 1951 The Family 2008 Bronze, blusestone and boulder 74 x 115 x 115 in. Ed. of 5   Israel-born artist Boaz Vaadia has enjoyed much acclaim since the 1980’s. His style has fully evolved into the recognizable forms of figurative sculpture created from layers of chiseled stone. His work reflects the eternal relationship between man and nature and encompasses a universal appeal. Vaadia’s stone, chiseled and stacked, arrowhead-like figures have a natural and mysterious quality of prehistoric artworks. This new body of work focuses on bust-style-portraiture using the same stylistic principles, processes and materials as his previous work. Vaadia’s sculptures are included in permanent collections of museums around the world including the Metropolitan Museum of Art, the Jewish Museum in New York, San Francisco Museum of Modern Art and the Tel-Aviv Museum.
    International Fine Art Expositions (IFAE)