The 16 curated solo booths in Positions provide focused platforms for individual artists to present a major project. Adrià Julià (b. 1974) will transform Dan Gunn’s booth into a multi- media installation, which includes a mural based on Picasso's ‘Guernica’. For Manuel Burgener’s (b. 1978) first exhibition in the United States, Galerie Maria Bernheim will create an installation through the interplay of light between sculptures and photograms. Callicoon Fine Arts will feature tapestries and enamel paintings by Ulrike Müller (b. 1971), while High Art will exhibit a series of 'Trans-Habitats' – invented microcosms – by Max Hooper Schneider (b. 1982). Through text, video and an architectural intervention, Beto Shwafaty (b. 1977) will address social and economic issues from Brazil’s recent political history at Prometeogallery di Ida Pisani. At RaebervonStenglin, an interactive installation by Dane Mitchell (b. 1976) will disperse an artificial scent that is typically used by hunters as olfactory camouflage. JTT’s installation of paintings by Becky Kolsrud (b. 1984) will reflect both her devotion to the female form as well as her infidelity to style, while at Off Vendome, Jeanette Mundt’s (b. 1982) suggestive female figures from historical paintings are set directly within the space in a performative staging. Melanie Gilligan’s (b. 1979) TV- sculptures at Galerie Max Mayer will be populated with abstract animations that comment upon systems of commerce. At Thomas Erben Gallery, Mike Cloud’s (b. 1974) heavily layered collages will recycle product imagery and scenes of consumer culture. Maggie Lee’s (b. 1987) immersive installation will recreate a teenage girl’s bedroom complete with embedded video works and handmade ephemera, while Gao Ludi’s (b. 1990) installation at White Space Beijing will appropriate symbols from Alice’s Adventures in Wonderland to explore the relationship between virtual and real worlds. At Galeria Marilia Razuk, Ana Luiza Dias Batista (b. 1978) will distort everyday objects – keys, a doormat, and games – in a playful expression of futility. Sector highlights will also include an installation of decorative, figurative and functional terracotta works by Shelly Nadashi (b. 1981) at Christian Andersen; a series of new sculptures and paintings exploring characteristics of human behavior by Melike Kara (b. 1985) at Peres Projects; and wall-based works and a floor installation by Amy Yao (b. 1977) at Various Small Fires. For the full gallery list, please visit artbasel.com/miami-beach/positions.

Nova, the sector dedicated to younger galleries showing new work by up to three artists, will this year feature 35 exhibitors. First time exhibitors will include Edouard Malingue Gallery, with a film by Wong Ping (b. 1984); House of Gaga, with paintings by Josef Strau (b. 1957) and Vivian Suter (b. 1949); and Nanzuka, who will present a large-scale mixed media canvas by Keiichi Tanaami (b. 1936), drawings by Hiroki Tsukuda (b. 1978) and a video by Oliver Payne (b. 1977). Also at the fair for the first time, Leo Xu Projects will present an installation of works by aaajiao (b. 1984), Cui Jie (b. 1984) and Liu Shiyuan (b. 1985), exploring the urban model and dystopian myth of Shanghai. Clearing will bring together Harold Ancart (b. 1980) and Korakrit Arunanondchai (b. 1986), who have drawn upon their close relationship as real-life studio neighbors to collaborate on an installation made specifically for the show.

The sector will also include a disquieting installation of new works that use animal furs, chicken skin and synthetic flora to explore anxieties resulting from radical biotech by Anicka Yi (b. 1971) at 47 Canal; Rita Ponce de León (b. 1982) and Ishmael Randall Weeks (b. 1976) at Ignacio Liprandi Arte Contemporáneo; Rey Akdogan (b. 1974) and Elaine Cameron-Weir (b. 1985) at Hannah Hoffman Gallery; Xavier Antin (b. 1981) and Renaud Jerez (b. 1982) at Galerie Crèvecoeur; and Matthias Bitzer (b. 1975) with Armin Boehm (b. 1972) at Francesca Minini. Nicole Wermers (b. 1971) and Margo Wolowiec (b. 1985) will explore the social and psychological meanings of everyday forms at Jessica Silverman Gallery. Wojciech Bąkowski (b. 1979), Christine Rebet (b. 1971) and Julia Rommel (b. 1980) will consider narrative and time-based practices through drawing, painting and animated film at Bureau. Solo presentations will include a series of hanging hand-blown glass balls by Kaspar Müller (b. 1983) at Société; salvaged sculptures and a socio-politically charged video by Kostis Velonis (b. 1968) at Kalfayan Galleries; conceptual works made of textile, plexiglass, wood and steel by Mika Tajima (b. 1975) at 11R; a 360 degree projected video environment by Taro Izumi (b. 1976) at Take Ninagawa; and sculpture comprised of freshly cut hedges by Chosil Kil (b. 1975) at One and J. Gallery. Joan Jonas (b. 1936) will pair several freestanding Murano mirrors with a video piece in her solo booth at Galleria Raffaella Cortese. Also of note will be solo exhibitions of Wanda Pimentel (b. 1943) at Anita Schwartz Galeria de Arte and Michael Dean (b. 1977) at Supportico Lopez. Simone Subal Gallery will present a large-scale collaborative environment and video by Anna K.E. (b. 1986) and Florian Meisenberg (b. 1980), while Ghebaly Gallery will exhibit a site-specific collaboration between Kelly Akashi (b. 1983) and Patrick Jackson (b. 1978), exploring the use of architectural space and a visceral relationship to the body.