TEFAF
TEFAF Maastricht
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Ausstellung13.03.2009 - 22.03.2009
TEFAF
Anlässlich der TEFAF Maastricht 2009 hat der Messearchitekt Tom Postma mit dem Niederländer Paul Gallis, einem internationalen bekannten Bühnenbildner für Theater, Oper und Museumsausstellungen, zusammengearbeitet. Der Eingang der Messe liegt zwischen eindrucksvollen, 5.50 Meter hohen Säulen, die mit belauchteten Wändenverbunden sind und die wiederum mit tausenden von Rosen geschmückt werden: Eine sehr eindrucksvolle Atmosphäre wird damit von Tom Postman und Paul Gallis schaffen. Die Brasserie und zwei Cafés werden ebenfalls innenarchitektonisch neu gestaltet.
TEFAF Festival
Während der TEFAF Maastricht finden zahlreiche kulturelle Veranstaltungen und Special-Events in Maastricht statt. 2009 gehören dazu unter anderem Aufführungen des berühmten Violinisten Shlomo Mintz und des Amati Chamber Orchestras, Romantisches Ballett des Choreografen Edouard Locke, und eine dreitägige Reihe von Jazz-Konzerten. Für TEFAF-Besucher ist ein Kontingent an Eintrittskarten reserviert. Informationen hierzu finden Sie unter: www.tefaf.com
AXA Art ist Hauptsponsor der TEFAF 2009
AXA Art ist führender globaler Versicherer von Kunst- und Sammlungsgegenständen mit maßgeschneiderten Versicherungskonzepten für einen umfassenden Kundenkreis, von erstmaligen Käufern bis hin zu den renommiertesten Sammlern der Welt, sowie einzelne Künstler, Museen, Kulturinstitutionen, Galerien, Unternehmen, internationalen Leihverkehr und öffentliche Ausstellungen. AXA Art ist Hauptsponsor der TEFAF 2009. www.axa-art.de
Hinweis für die Redaktionen:
Bitte gehen Sie auf www.tefaf.com unter PRESS um Pressemitteilungen und Bilder in hoher Auflösung zu finden. Für weitere Informationen:
Britta Fischer
Public Relations
Uhlandstraße 15
D-65189 Wiesbaden
Tel. +49-(0)611-30 08 77
Fax +49-(0)611-30 24 83
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Tags: Ausstellung, Messe, Buch, Design, Empire, England, Florenz, Galerie, Glas, Impressionismus, Keramik, Kunst, Kunsthandel, Leben, Malerei, Messe, Moderne Kunst, Oper, Osten, Petrus, Porzellan, Sammlung, Silber
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Man Ray (1890-1976), Noire et Blanche 1926 Gelatin silver print, printed ca. 1926 18 x 23.2 cm v stamped 'Man Ray 31, Rue Campagne Première, Paris XIV' P9408006 Price: €600,000 (+ VAT) Provenance: From the Artist Collection Lucien Treillard, Paris Private Collection Exhibitions: Eros in der Kunst der Moderne, Fondation Beyeler, Riehen/Basel, Basel 2006 Man Ray, Kunsthaus Wien, Wien 1996The European Fine Art Foundation -
Michael Sweerts (Brussels, 1618 – Goa, India, 1664), The Great Laundry Day Oil on canvas, 19 5/16 x 30 7/8 inches, 49 x 78.5 cm The composition is a significant addition to the oeuvre of Michael Sweerts, and represents an important discovery since the monographic exhibition dedicated to the artist in 2002 (Amsterdam, Rijskmuseum; San Francisco, Fine Arts Museum; Hartford, Wadsworth Atheneum).The European Fine Art Foundation -
William Henry Fox Talbot (British 1800-1877), The Ladder Salt print from a calotype negative, 17.1 x 18.3 cm on 19.6 x 23.8 cm paper. Late April 1844. Titled in pencil on verso “The Ladder” Provenance: Lacock Abbey, England; Private collection, USA, circa 1970. Literature: Other prints of this image were trimmed and mounted as plate XIV in Talbot’s The Pencil of Nature, 1844-1846, the first photographically illustrated book. For a similar example see Larry J. Schaaf, The Photographic Art of William Henry Fox Talbot, Princeton University Press, 2000, plate 84, page 200.The European Fine Art Foundation -
Jayavarman as Buddharaja Cambodia, Bayon, circa 1200 AD Jayavarman VII (r. 1181–1220) was one of the greatest and most productive kings of the Khmer Empire. He married Jayarajadevi and after her death, wed her sister Indradevi. The two women are commonly thought to have been a great inspiration to him, particularly in his devotion to Buddhism. He expanded the empire to its largest territorial extent and engaged in a building programm that produced numerous temples, highways, rest houses, and hospitals. This has contributed to a legend of the Buddharaja, the King-Buddha, who regarded compassion as the mainstay of kingship.The European Fine Art Foundation -
A Chinese European subject eggshell saucer dish 20.2 cm Qianlong, circa 1735-1760 This rare saucer dish is painted in the centre with portraits of Maria Theresa, Empress of Austria and Queen of Hungary and Bohemia (1740-1780) and her consort, Francis of Lorraine, the rim with a border of gilt flowering branches and fruiting grapevines. The royal couple is finely depicted with rich enamelling of their garments, each beneath a gilt coronet and enclosed by a gilt vine border. Traditionally thought to have been made for the wedding of Maria Theresa and Francis of Lorraine. The Chinese artist was certainly supplied with a print or commemorative medallion of the couple to copy. A 1759 portrait of Maria Theresa by Martinus Mytens II in the Academy of fine arts, Vienna, shows the Queen with similar facial features. A 1756 bronze medal by Mattaus Donner depicts the couple in profile and also confirms their physical characteristics at this point in time.The European Fine Art Foundation
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Man Ray (1890-1976), Noire et Blanche 1926 Gelatin silver print, printed ca. 1926 18 x 23.2 cm v stamped 'Man Ray 31, Rue Campagne Première, Paris XIV' P9408006 Price: €600,000 (+ VAT) Provenance: From the Artist Collection Lucien Treillard, Paris Private Collection Exhibitions: Eros in der Kunst der Moderne, Fondation Beyeler, Riehen/Basel, Basel 2006 Man Ray, Kunsthaus Wien, Wien 1996The European Fine Art Foundation
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Michael Sweerts (Brussels, 1618 – Goa, India, 1664), The Great Laundry Day Oil on canvas, 19 5/16 x 30 7/8 inches, 49 x 78.5 cm The composition is a significant addition to the oeuvre of Michael Sweerts, and represents an important discovery since the monographic exhibition dedicated to the artist in 2002 (Amsterdam, Rijskmuseum; San Francisco, Fine Arts Museum; Hartford, Wadsworth Atheneum).The European Fine Art Foundation
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William Henry Fox Talbot (British 1800-1877), The Ladder Salt print from a calotype negative, 17.1 x 18.3 cm on 19.6 x 23.8 cm paper. Late April 1844. Titled in pencil on verso “The Ladder” Provenance: Lacock Abbey, England; Private collection, USA, circa 1970. Literature: Other prints of this image were trimmed and mounted as plate XIV in Talbot’s The Pencil of Nature, 1844-1846, the first photographically illustrated book. For a similar example see Larry J. Schaaf, The Photographic Art of William Henry Fox Talbot, Princeton University Press, 2000, plate 84, page 200.The European Fine Art Foundation
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Jayavarman as Buddharaja Cambodia, Bayon, circa 1200 AD Jayavarman VII (r. 1181–1220) was one of the greatest and most productive kings of the Khmer Empire. He married Jayarajadevi and after her death, wed her sister Indradevi. The two women are commonly thought to have been a great inspiration to him, particularly in his devotion to Buddhism. He expanded the empire to its largest territorial extent and engaged in a building programm that produced numerous temples, highways, rest houses, and hospitals. This has contributed to a legend of the Buddharaja, the King-Buddha, who regarded compassion as the mainstay of kingship.The European Fine Art Foundation
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A Chinese European subject eggshell saucer dish 20.2 cm Qianlong, circa 1735-1760 This rare saucer dish is painted in the centre with portraits of Maria Theresa, Empress of Austria and Queen of Hungary and Bohemia (1740-1780) and her consort, Francis of Lorraine, the rim with a border of gilt flowering branches and fruiting grapevines. The royal couple is finely depicted with rich enamelling of their garments, each beneath a gilt coronet and enclosed by a gilt vine border. Traditionally thought to have been made for the wedding of Maria Theresa and Francis of Lorraine. The Chinese artist was certainly supplied with a print or commemorative medallion of the couple to copy. A 1759 portrait of Maria Theresa by Martinus Mytens II in the Academy of fine arts, Vienna, shows the Queen with similar facial features. A 1756 bronze medal by Mattaus Donner depicts the couple in profile and also confirms their physical characteristics at this point in time.The European Fine Art Foundation
