• Menü
    Stay
Schnellsuche

La Biennale Paris 2019

La Biennale Paris 2019 will be held at the Grand Palais from 13 to 17 September 2019, representing five days of public opening, instead of nine days previously.

This evolution, implemented at the request of international galleries, has offered many advantages: it favours sales momentum, which is initiated within the first few days, and it facilitates the participation in several exhibitions as part of a heavily crowded international calendar. The public opening of La Biennale Paris on September 13th, one week later than the previous editions, thus makes it possible to put an end to the many constraints related to September period (preparation difficulties linked to summer closures, early schedule for collectors).

The private opening will be held on Thursday, September 12, following the gala dinner on Wednesday 11th. La Biennale Paris will be open every day from 11am to 10pm, except for its last day when it closes its doors at 6pm.

THE BIENNALE COMMISSION
The Biennale Commission continues its work in 2019 by contributing to the development of the list of exhibitors. It remains able to make many proposals and has yet again been placed under the aegis of its president, Christopher Forbes, and unites 9 qualified figures: Prince AMYN AGA KHAN, Foundation for the Preservation and Development of the Domaine de Chantilly, Max BLUMBERG, collector, Becca CASON THRASH, patron, Jacques GARCIA, decorator, Christian LANGLOIS-MEURINNE, patron, Alain-Dominique PERRIN, president of the Fondation Cartier pour l’art contemporain, Judy PRICE, president of the National Jewelry Institute, Jean-Louis REMILLEUX, collector, and Didier WIRTH, president of la Fondation des parcs et des jardins de France. As well as 6 members from the SNA Board.

Christopher Forbes wanted to renew his mandate for the third year in a row. The aforementioned people have displayed a lasting commitment and given their time voluntarily while demonstrating their deep attachment to the event.

A NEW APPROACH
TO THE GENERAL INSTALLATION

A new general installation concept has been developed for La Biennale Paris by the European leader of specialised exhibitions: STABILO.

Being highly appreciated by exhibitors, Stabilo has put forward a new and more modern stand concept which offers a greater interface between the visitor and the exhibited objects. These stands are opened onto the exhibition’s aisles, offer less technical constraints, and allow each exhibitor to arrange more freely its space and its decor.

La Biennale Paris sought to change its offer in order to meet the expectations which were expressed by its exhibitors in 2018. Hence, while preserving the plan set up at the previous edition, La Biennale Paris can make a tight price offer including the decor (890 € m2 for a decorated stall or 825 € m2 for a bare stall), and offer smaller stands, from 20m2 (as compared to 40m2 before), which will facilitate the participation of a wider variety of exhibitors.

NEW TALENTS SECTION
La Biennale Paris continues to innovate by welcoming a new generation of merchants and creators into a new section named New Talents. A space will be created to bring together ten national and international merchants and creators who have been established for less than 10 years. They will enjoy a 10 m2 stand, including decorations, under financial conditions incentives.

The SNA and La Biennale Paris seeks to encourage young professionals to exhibit for the first time in a promotional capacity, meet visitors and collectors, and reveal their work and their ambitions for the future market.

The candidates were selected by the Biennale Commission, which will award a prize for the best New Talent in September.

THE ARTWORK ADMISSION COMMISSION
The 2019 Artwork Admission Commission works continuously and reliably with its two presidents, Frédéric Castaing, President of the Compagnie Nationale des Experts (National Company of Experts or CNE) and Michel Maket, President of the French Union of Professional Experts in Works of Art and Collection Objects (SFEP). The verification criteria for the artworks, which is supported by the Art In Lab laboratory, will remain as demanding in 2019 as in 2018. It is recalled that 32 objects were removed in 2018 (against 70 objects in 2017). This significant drop demonstrates the efficiency and legitimacy of the only independent AAC in the world.

In 2019, La Biennale Paris has developed a partnership with The Art Loss Register, giving it and its exhibitors a privileged access to the largest stolen art database in the world: http://www.artloss.com/en

• Universelle, because La Biennale Paris claims its French identity, and since 1962 has been the only international generalist exhibition in Paris. Biennale, universal and French, in memory of the exhibition of 1900 that saw the birth of the Grand Palais. La Biennale, universal, generalist and presenting more than 6,000 years of art, is a unique ephemeral museum wherein styles and eras interact. La Biennale, universal and international, for a world-renowned art fair, which looks to the future with a new generation of merchants, emerging gallery owners, but also to a wider audience.

LA BIENNALE IDENTITY
Finally, La Biennale Paris seeks to sustain the fundamentals of its visual identity, whose elegance and originality have been hailed by all. In keeping with its commitment to build the brand, La Biennale Paris will adopt a referential definition (baseline) in 2019: The Universelle Art Fair.






  • 13.09.2019 - 17.09.2019
    Messe »
    MasterArt - Fine art dealers »

    ADMISSION
    Public opening hours
    From Friday 13 to Tuesday 17 September 2019
    From 11 AM to 10 PM
    Tuesday 17 September until 6 PM

    Full rate: € 35
    Students: € 20
    Reduced rate: € 30
    Card holders of Amis du Louvre
    Les Amis du Musée des Arts Décoratifs
    La Société des Amis des Musées d’Orsay et de l’Orangerie
     



Neue Kunst Messen
Vintage-Kameras, Fotobücher
Sonntag, 8. Dezember 2019, 11–19 Uhrim Rahmen der...
DesignFest by COUCH
Eigene Sondereditionen designen und individuelle...
ART MIAMI CELEBRATES 30T​ H​
(MIAMI, FL – September 10, 2019) – ​Art Miami​ (​...
Meistgelesen in Messen
WIKAM 2015 - Palais Ferstel
Mit musealen Kunstschätzen und interessanten Raritäten wird...
Art 42 Basel: Die bedeutendste
Vom 15. bis 19. Juni 2011 findet zum 42. Mal die Art Basel in...
90. KUNST & ANTIQUITÄTEN
Bayerisch bis venezianisch 65 Aussteller mit breitem...
  • La Biennale Paris 2019
    MasterArt - Fine art dealers
  • Alexis Bordes Gallery Pierre-Paul Prud’hon Portrait of Marie Charlot, Madame Navier, Marquise de Beauvoir  1821 Oil on original canvas 61 x 51 cm
    Alexis Bordes Gallery Pierre-Paul Prud’hon Portrait of Marie Charlot, Madame Navier, Marquise de Beauvoir 1821 Oil on original canvas 61 x 51 cm
    MasterArt - Fine art dealers
  • Berès Gallery Edouard Vuillard (1868 - 1940) Zinnias on the table at Vaucressonp
    Berès Gallery Edouard Vuillard (1868 - 1940) Zinnias on the table at Vaucressonp
    MasterArt - Fine art dealers
  • Cahn A. G. A Head of a Man with Wreath  H. 29.7 cm. Orange clay with inclusions Etruscan late 3rd-2nd cent. B.C.
    Cahn A. G. A Head of a Man with Wreath H. 29.7 cm. Orange clay with inclusions Etruscan late 3rd-2nd cent. B.C.
    MasterArt - Fine art dealers
  • Costermans Claude-Charles Saunier A Louis XVI ormolu-monted pahogany commode « à encoignures »
    Costermans Claude-Charles Saunier A Louis XVI ormolu-monted pahogany commode « à encoignures »
    MasterArt - Fine art dealers
  • Galerie Martel Greiner Gilbert Albert Pendentif "Papillon de nuit"  Genève 1930
    Galerie Martel Greiner Gilbert Albert Pendentif "Papillon de nuit" Genève 1930
    MasterArt - Fine art dealers
  • Galerie Meyer Oceanic & Eskimo Art A miniature tattooed shaman figure representing a spiritual ancestor
    Galerie Meyer Oceanic & Eskimo Art A miniature tattooed shaman figure representing a spiritual ancestor
    MasterArt - Fine art dealers
  • Galerie Von Vertes René Magritte L'Atlantide  1957-1958 Gouache on paper 9.2 × 6.8 in., 23,3 × 17,3 cm Signed upper right, titled lower center
    Galerie Von Vertes René Magritte L'Atlantide 1957-1958 Gouache on paper 9.2 × 6.8 in., 23,3 × 17,3 cm Signed upper right, titled lower center
    MasterArt - Fine art dealers
  • Helene Bailly Gallery Pierre-Auguste Renoir Nature morte, fleurs, oranges et citrons  1888 Oil on canvas 21 1/2 x 25 3/4 in. Signed upper left : ‘’Renoir’'
    Helene Bailly Gallery Pierre-Auguste Renoir Nature morte, fleurs, oranges et citrons 1888 Oil on canvas 21 1/2 x 25 3/4 in. Signed upper left : ‘’Renoir’'
    MasterArt - Fine art dealers
  • Sao Roque Portable writing chest  Mother-of-pearl, tortoiseshell, mastic Gujarat, India, 16th c. 11,4 x 24,5 x 17,8 cm
    Sao Roque Portable writing chest Mother-of-pearl, tortoiseshell, mastic Gujarat, India, 16th c. 11,4 x 24,5 x 17,8 cm
    MasterArt - Fine art dealers
  • Univers Du Bronze Jean-Baptiste Carpeaux (1827 - 1875) Buste Du Prince Imperial   1865 Artist example given by the Empress Eugénie to the Secretary and Trustworthy man of Napoléon III
    Univers Du Bronze Jean-Baptiste Carpeaux (1827 - 1875) Buste Du Prince Imperial 1865 Artist example given by the Empress Eugénie to the Secretary and Trustworthy man of Napoléon III
    MasterArt - Fine art dealers
Bilderaktuell von den Messen
beginn 3 wochen
beginn 2 wochen
beginn 1 woche
Künstler