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LONDON ART WEEK ANNOUNCES SUMMER DATES 2022

LAW Summer 2022 takes place from Sunday, 3rd to Friday, 8th July in galleries around London and on its digital platform. This year LAW has adopted a theme of Music and Dance, following on from Revolution and Renewal in 2021, to be celebrated in an exhibition on the LAW Digital website. Each participant is invited to offer a work in their discipline to reflect this theme, in addition to the ten works they can display online. The theme will continue in the form of an events programme and in the galleries participating in London Art Week. Regular LAW exhibitors are joined by new exhibitor Miles Wynn Cato and returning exhibitors Moretti, Rountree Tryon and Stuart Lochhead Sculpture.

Highlight works in the LAW Digital Music and Dance exhibition will be a preliminary drawing for one of Thomas Rowlandson's (1756-1827) 26 illustrations to William Combe's 'The Dance of Life' (published 1817) at Guy Peppiatt Fine Art, and at Daniel Katz Gallery, a magnificent painting of Sappho recalled to life by the charm of music by Merry-Joseph Blondel (1781-1853), dated 1828. A monumental early 19th century six-light candelabrum centrepiece with a piping satyr, made by Paul Storr (1771-1844), will take centre stage at Koopman Rare Art.

A special performance by the Philharmonia Orchestra on Sunday 3rd July in Cromwell Place's Lavery Studio will start the programming for the week. This is part of LAW’s renewed partnership with Cromwell Place, the art hub in South Kensington where one of LAW's new exhibitors, Miles Wynn Cato, will be showing British Art Rediscovered: Unseen Pictures, Untold Stories. This extraordinary exhibition, composed entirely of discoveries and rediscoveries in the field of 17th and 18th century British art. Built around a group of five paintings and drawings by Thomas Gainsborough, other artists include Angelica Kauffmann, Thomas Jones, Joseph Wright of Derby and Thomas Lawrence. Of the seven portraits and seven landscapes, eleven were previously completely unrecorded, one had been known only from a print and two had been lost for decades. Among them are pictures of historical significance, painterly brilliance and simple beauty, each exhaustively researched for this unique London Art Week exhibition at Cromwell Place.

London Art Week exhibitions this summer include: Miles Wynn Cato: A Capriccio on the river Wye with the Pont du Gard, Thomas Jones

● Drawings from 1800 to 1950 will be complemented by an array of the finest Old Master and Ancient masterworks at Colnaghi. The drawings exhibition is a collaboration between Colnaghi and Elliott Fine Art. Among the works is an arresting portrait by Magda Nachman which is one of the first by the artist to appear on the international market. She was born in St. Petersburg in 1889 of Jewish parents and married the Indian communist leader M.P.T. Acharya in 1920; disillusioned by the Revolution they moved to Berlin in 1922, then left Nazi Germany for Bombay. Nachman's work is largely inaccessible to the wider world, with most known works housed in Russian state museums or in private, primarily Indian, collections. Man in a Turban, from 1936, is one of her earliest known Indian portraits.

Stuart Lochhead Sculpture, returning to LAW, will be showing works by Spanish contemporary artists, twin brothers Josep and Pere Santilari (b. 1959). The exhibition 

Masters of Realism: Vanitas, Kunstkammer & Still Lifes, their first in the UK, will present recent works with an emphasis on drawings. There will be a group of superb Vanitas subjects, alongside a selection of floral still lifes (both paintings and drawings), as well as a group of drawings inspired by the theme of the Kunstkammer, or cabinet of wonders, which signals a new direction for the artists. These tie in perfectly with the exquisite objects which will also be on view in the gallery by Georg Laue, Kunstkammer Ltd, exhibiting again in person for the first time since 2019.

● Stephen Ongpin Fine Art's Summer Exhibition will celebrate 18th century Venice, with their exhibition Settecento Veneto: Venetian Drawings of the Eighteenth Century. The exhibition, and its accompanying catalogue, will include 47 drawings by 18 of the finest Venetian draughtsmen of the period, including Canaletto (1697-1768), Rosalba Carriera (1673-1757), Francesco Guardi (1712-1793), Giovanni Battista Piazzetta (1682-1754), Giambattista Piranesi (1720-1778), Marco Ricci (1676-1730), Giambattista Tiepolo (1696-1770) and Domenico Tiepolo (1727-1804).

Exceptional works for sale span the medieval to the modern:
● A magnificent painting of the Madonna and Child with a Bishop Saint by Parma artist Francesco Marmitta (1464-1505), painted towards the end of his career, will be on view at Brun Fine Art.

● A portrait by Hieronimo Custodis (fl.1585-1593) of an Elizabethan courtier, possibly Sir Thomas Drake of Buckland Abbey, Yelverton dating to circa 1590 at The Weiss Gallery. Inscribed in the upper left on the oil on panel 'Fatto a tempo' [made in time], it is believed to have been commissioned by the sitter, descending through the family until 1876 and is now coming to the market from a private collection in Ireland.

● Tomasso will have a wonderful bronze of Il Porcellino (The Wild Boar), based on the famous ancient marble excavated in Rome in the mid-16th century, which made its way to Florence and led to many artists making casts of it. Since then it has been admired for its naturalism and artistic quality, and was historically associated with the legend of the Calydonian Boar killed by the young hero Meleager. This one by Giovanni Francesco Susini (1585-c.1653) was made in Florence in the first half of the 17th century and is an exquisitely cast small-scale model of the celebrated antiquity.






  • Die Galerie wurde 1961 gegründet und übersiedelte 2001 in ihre nunmehrigen Räumlichkeiten in die...
  • 03.07.2022 - 08.07.2022
    Messe »
    London Art Week »

    Friday 3 July to Friday 10 July (Preview Thursday 2 July)

    Opening Times:
    Preview: 12 pm - 8 pm
    Weekdays: 10 am - 6 pm
    Weekend: 11 am - 5 pm
     



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  • © 2022 London Art Week
    © 2022 London Art Week
    London Art Week
  • Bonhams, Thomas Lawrence 1769-1830 Portrait of Jane Allnutt with her pet spaniel 1821-22 Oil on canvas 61.3 × 50.4 cm. (24 ⅛ × 19 ⅔ in.) £150,000-250,000
    Bonhams, Thomas Lawrence 1769-1830 Portrait of Jane Allnutt with her pet spaniel 1821-22 Oil on canvas 61.3 × 50.4 cm. (24 ⅛ × 19 ⅔ in.) £150,000-250,000
    London Art Week
  • Kallos Gallery, An Attic black-figure hydria, attributed to the Leagros Group c.525-500 BC Ceramic 39 cm. (15 ⅜ in.)
    Kallos Gallery, An Attic black-figure hydria, attributed to the Leagros Group c.525-500 BC Ceramic 39 cm. (15 ⅜ in.)
    London Art Week
  • Elliott Fine Art, Lucie Attinger Neuchatel 1859 - Paris 1928 Profile study of a model dressed as a Native American c. 1890 Gouache on card 424 × 332 mm. (16 ¾ × 13 ⅛ in.) L. Attinger
    Elliott Fine Art, Lucie Attinger Neuchatel 1859 - Paris 1928 Profile study of a model dressed as a Native American c. 1890 Gouache on card 424 × 332 mm. (16 ¾ × 13 ⅛ in.) L. Attinger
    London Art Week
  • Georg Laue, Kunstkammer Ltd, Georg Müllner Master 1624/1625-1647/1659 Nef on wheels Nuremberg, 1641-1646 Parcel-gilt silver, town mark and master maker's mark 27 cm. (10 ⅝ in.) Master maker's mark punched on the edge of the hull
    Georg Laue, Kunstkammer Ltd, Georg Müllner Master 1624/1625-1647/1659 Nef on wheels Nuremberg, 1641-1646 Parcel-gilt silver, town mark and master maker's mark 27 cm. (10 ⅝ in.) Master maker's mark punched on the edge of the hull
    London Art Week
  • Tomasso, Christopher Hewetson c. 1737-1798 Portrait Bust of Prince Francis Xavier of Saxony (1730-1806) c. 1790 White Marble 75 cm. (29 ½ in.)
    Tomasso, Christopher Hewetson c. 1737-1798 Portrait Bust of Prince Francis Xavier of Saxony (1730-1806) c. 1790 White Marble 75 cm. (29 ½ in.)
    London Art Week
  • Philip Mould & Company, Vanessa Bell 1879-1961 Still-life of Dahlias, Chrysanthemums and Begonias 1912 Oil on board laid on panel 73 × 51.7 cm. (28 ¾ × 20 ⅜ in.) Signed V Bell (upper right)
    Philip Mould & Company, Vanessa Bell 1879-1961 Still-life of Dahlias, Chrysanthemums and Begonias 1912 Oil on board laid on panel 73 × 51.7 cm. (28 ¾ × 20 ⅜ in.) Signed V Bell (upper right)
    London Art Week